Seattle University’s small-but-mighty theatre department is one I was lucky to have stumbled into for a number of reasons, but their commitment to consistently high production values and dedication to providing mentorship and opportunities to student designers they think are up to the task are ones that have served me particularly well.

Though not my first sound design, Picnic was the first show I solo-designed on the Seattle U mainstage, and I had a fantastic time getting to work alongside seasoned theatre professionals and emerging artists alike. Director Ki Gottberg’s vision was one that sought to incorporate a great deal of abstract elements while still retaining the quintessential 1950’s feel of the piece, which allowed me to stretch creatively while still creating a rich sound palette for a classic show.